Our weekly gathering is scheduled for 2:30 PM at Goldbergs. Pleas, kindly remember to order a drink and a snack as a gesture of appreciation for utilizing their café facilities.
These are the questions for this week:
Q: Do you think that fashion could be based on a Regenerative model? Do you think we could get to a place in where:
• We would have seasons based on what the earth resources provide
• Composting and fashion design would become synonymous
• We would rely on indigenous methods and culture to path the way, as they have already proven wisdom and stewardship when it comes to living in a regenerative way
• The rights of nature will be in constitutions.
• Care labels will list garment carbon and water footprints.?
Q: The sustainability conversation has been about “harm reduction” - But it should be more inspiring! (focusing on the positive impact ) Says Willaim McDonough the Author of Crade to Cradle ? Do you agree with this statement?
Certification see https://mcdonough.com/cradle-to-cradle/.
Q: Imagine Regenerative fused with Conscious (from Chapter 1). Linking care for biodiversity and social effects together with spiritual. Discuss.
“I think the future of fashion will be slower and more considered. [And] it will also draw more strongly on First Nations approaches and ways of seeing the world, because these world views naturally consider the interconnectedness of things , including of Country and community.” P240
Q How can Indigenous wisdom help us think this way?
“ According to a 2018 study by researchers at Charles Darwin University in Australia, one quarter of the worlds land is currently managed or used by indigenous people, and of that roughly two -thirds remains ‘ essentially natural’”p239
Q: How can partnership work in the fashion industry?
These are a few examples given in the book:
Q consider this statement – where did weaving come from? Who do you think first worked out how to make yarn? Indigenous artisan techniques are the foundation of everything we wear today.
Q: The future is in healthy soil. Why should this be a design factor? Think about material composition, composability and chemicals used.
Q: “While organic farms use no toxic chemicals, biodynamic farms step it up to include no outside input at all” p247
Q: Regenerative Futures – Its worth understanding this more so let’s discuss it. For more see https://www.thersa.org/regenerative-futures.
Please note that before our book club meetup we are visiting The Conscious Exchange. They have a business model that is all about swapping clothing. WE LOVE what they do. They are open Sunday 10-2 at 86 Maitland Road Islington. Anyone can go to this. We will be there at around 12. From there we will head to our meetup to discuss this weeks topics Repaired and Shared.
Our "Wear Next - Fashioning the Future" book club gathering is at Goldbergs in Newcastle. RSVP is essential for this one as numbers very limited. Remember to bring something to mend and indulge in a coffee and treat while we contemplate and envision a future where repairing becomes a way of life. It's imperative that we embrace this ethos. Conducting our activities in a public setting serves to normalize and advocate for this important practice.
Please note: In respect for this cafes space, we need to all order something and limit our time for this meet up to 1 1/2 hours.
Here are the questions we will discuss at our meetup:
Topic – Repaired
First, Clare asks us to Imagine…
Q: Do you know a good alteration person or cobbler? “Why is after care so archaic?” P213 was the question asked by the owner of The Restory. Is there a repair service you could specialise in? Look up The Restory: https://www.the-restory.com/ - Do you think it is a service you would use?
Q: What is a circular economy? And is extending the life of clothes a part of this?. For more information check out the Ellen Mcarthur Foundation - https://www.ellenmacarthurfoundation.org/circular-economy-diagram .
Q: Do you know of brands doing it?
Book examples pg215:
Q: Do any of you watch the Repair Shop? Or something similar on youtube? Lets recommend some to each other 😊.
Q: In the book it states that it’s become “less of a craft and more of a quick fix… so that’s the problem”. Discuss p215?
Q: What do you think about the rise of rentable clothing such as Rent the Runway and Vestiare Collective. Would you use it? Why or why not?
Q: Will designers design with the product’s additional lives? The book suggests if they do – disassembly should be in the designers mind. Will they? How can they be encouraged to do this?
Q: Will repair be a new fashion graduates career path? Also, “It costs, it should cost. But who will pay”pg218 ?
Q: The Restory – P218 – Why did it fail? Is it a sign that this type of business isn’t viable or was it just too early for people to embrace it or was it coast?
Q: TheSneaker Laundary - https://thesneakerlaundry.com.au/ pg 220. Clare asks the owner of The Sneaker Laundary what he would like his business to manifest for, he replied "Freedom.I'd like everyone to have more of a freedom mindset, to realise they don't have to be a slave to consumerism". Discuss.
Topic – Shared
Here we are asked to imagine:
Q: “Globally the fashion rental market is projected top US$6 billionby 2033” pg226.
Q: Check out the businesses highlighted in the book. Would you use these? Why or Why not?
Rent the Runway : https://www.renttherunway.com/
My wardrobe HQ: https://www.mywardrobehq.com/
Hur Collective: https://www.hurrcollective.com/
Hirestreet: https://www.hirestreetuk.com/collections/all
Rntr: https://shop.getrntr.com/
Q: “You don’t make progress by making people feel guilty. You have to entice them…..It has to be compelling, exciting, curated, something they are desperate to buy into” pg 228 . Discuss
Q: Study 2021 by LUT suggest that “ renting clothes worse for the planet than just throwing them away” pg228? Discuss this comment. What are these businesses doing to reduce the carbon footprint? Examples from book include – Less water and less toxic washing processes and lower emission delivery such as bikes and electric vans. See pg 229.
Q Smart Works- https://smartworks.org.uk/. Is a Charity that provides second hand suits for people looking for work. “Clothes help us be ourselves, or find ourselves, and present the version of ourselves we want to be. I think that is why we care about fashion in the end isn’t it? Pg 231. Can you think of other renting charity possibilities? Here are some of ours:
Q: “Rental, repair, preloved and restyling will mainstream in the future” p231. How soon? Thoughts on this comment.
Q Look at By Rotation - https://byrotation.com/ . They are a peer-to-peer fashion platform that allows users to lend and rent out their designer clothes to each other. “Kind of like Airbnb for fashion but with social content” pg231.
Q: At 2022 By Rotation had 300,000 users. “We know sustainability isn’t the main reason they come to us, but so what?” p232. What are their reasons then?
Q: The fashion waste issue ” it’s a racist system, as well as an unsustainable one” pg 233. Discuss
Q: Imagine being able to walk down the street and love what someone is wearing and say “hey what’s your By Rotation username?”pg234. Discuss the #whatsismineisyours philosophy. How can this be done in Australia?
Q: Who has been to a clothes swap? What was successful and unsuccessful about it? Were there black Friday vibes or did politeness prevail ?
Now - Show us what your mending :)
]]>Please note: Meet up this Sunday at the 16 Foot sailing club at 2:30pm. Exact location posted on our Insta and Facebook 10 mins prior to meeting.
Q: Firstly what does traceability mean?
It "is the process of making information available to understand how fibers and materials were sourced, processed and produced through the supply chain. Improving the transparency of suppliers, and the traceability of sourced materials, is essential to enable more sustainable decision making. It is an enabling factor to help reduce the negative environmental and social impacts of the textile supply chain." ( Definition from Fashion for Good website)
Discuss what this means when discussing textile waste?
Q: “All our clothing can be produced from existing resources”p200. Do you agree? What if this could be accomplished? Is it realistic?
The book discusses how the fashion industry must "Get Sorted" if we want clothes to be produced from existing resources. It says that we need to have:
Q: Can upcycling old junk into new products make a big enough change? are we just postponing the inevitable landfill?
Q: Discuss and look at the initiative -‘Worn Again’ (to expand on what is already discussed in the book..
Q: Discuss fibre to fibre recycling? What do you know about it? What technology do we have in Australia? What are the negatives currently associated with the technology?
Q: Discuss chemical and mechanical recycling methods and how they differ?
What are the considerations with Polyester, nylon, and cellulosics (cotton, wool and linen) recycling?
Q: What issues are there with sorting garments for recycling? How are some companies dealing with this issue?
"Less than 1% of used textiles are recycled…" Pg 201
Q: The book also brings up "Passport Control" a concept where all products of the future will be able to tell you what they are and where they’ve been! Why is this essential to know? P. 203
Q:“Connectivity is essential to reshape our relationship with resources” P. 204
How could EON’s product passports change the fashion industry’s trajectory?
Q: Fibre passports are also being explored. What might be the benefit of this for producers/buyers and consumers?
Q: Consider the Renewcell innovation, something termed by Cavalli -Bjorkman “Industrial Evolution”P. 207. Creative thinking can take what’s already there and find new purpose for it. Maybe transformation is a key way of thinking about the industry when trying to come up with sustainable solutions for the future…. What are your thoughts? (Eg The Pulp industry example in the book, where existing infrastructure from industries that are no longer viable are being refit to power textile recycling).
]]>Q: Local fashion - "In some ways it looks like the past" (p.170)
In what ways might this be so?
"...the enormous skill we have in our country towns gets ignored, because it's seen as little old ladies knitting..." (p. 172)
Q: 2% of clothing sold in Australia is currently being made locally, compared to 97.5% in 1961. What happened?
Q: How does the disconnection of products from their origins effect the way consumers view these products - their value/cost and worth?
Q: Preserving craft tradition and cultural heritage is an important consideration when considering championing local fashion production. To what extent do you agree with this statement and why?
Q: Reducing transport emissions is also a major consideration with those advocating for local fashion. Discuss the importance of this consideration.
Q: "We produce our own fiber here...then send it all overseas to be processed" (p.177)
Processing in Australia may not be financially viable at this point in time, but cooperation and innovative thinking may lead to new solutions...
What are some examples of this happening in the chapter? Have you seen this happen at some level in your local environment?
Q: We need to consider cost and efficiency, pooling resources and sharing new technology. Discuss how we can do this.
Q: Why do we assume that competition is the only way forward economically speaking?
Q: What might locally made clothes FOR locals mean?
Global
"Legislation is the key" (p.188) What does this mean for global fashion?
"Asia is still the fashion workshop of the world" (p.188)
"The sector employs approximately 60 million workers" (p.188)
Q: What are the best and worst scenarios for these workers?
Q: How can brands reduce their negative impact on the environment, and improve the lives/wellbeing of workers in Asia, within the narrative of de-growth and localism?
Q: "Africa can't continue acting as a dumping ground" (p. 196).
Discuss the "Return to Sender" initiative and the issues our textile waste creates for the global south. (p.193-4).
Q: The global north needs to completely rethink the way it produces, consumes and disposes of clothing, and it needs to consider its colonial legacy which is still effecting its commercial processes... How can we do this?
Lets start with defining the two scenarios:
Also, before we start with Clare's book, I want to share a quote that I personally love and think fits perfectly here:
“What business entrepreneurs are to the economy, social entrepreneurs are to social change. They are the driven, creative individuals who question the status quo, exploit new opportunities, refuse to give up, and remake the world for the better.” – David Bornstein, Author, How to Change the World: Social Entrepreneurs and the Power of New Ideas
This week’s questions:
Community
In the book it talks about collaborations such as (if you want to check them out click on the links to their web pages):
- Making For Change a UK social enterprise that works with women in prisons for more about this go to https://bethany-williams.com/blogs/manufacturing/making-for-change.
- San Patrignano (Italian) group who use weaving textiles as a way to rehabilitate people out of drug addiction, to read more about this see https://designlab.sanpatrignano.org/en/weaving .
- Mending For Good based in Millan see https://www.mendingforgood.org/ .
- Manusa who trains and hires refugees and new immigrants. https://www.manusa.eu/en/homepage/ .
- The Social Outfit who offer sewing and retail training programs for women from refugee backgrounds and CALD migrant communities - https://thesocialoutfit.org/ .
Q. Discuss the statement that said that to survive they need to work together with other social enterprises. In the book it is described as “growing the web of connections” p 140.
Q . Does fashion have the ability to change lives? Before you answer, consider this quote, “ ‘I didn’t have a retirement fund before’ says Fatima. ‘I now know more about my rights and what you need to work in Australia.”
Q. One of the issues is that social agendas can clash with commercial – How can this be alleviated? “The money has to come from somewhere”pg148. According to the World Economic Forum, “nearly 40% fail in the first year” (social enterprises).
Here are some ideas we have for survival:
- Government assistance
- Extra fundings via charity fundraising
- Donations
- Sponsorship
- Marketing of product explains that cost of product is the “therapy” and “training” and the result of rehabilitation for the producers. You are wearing someone’s reason for hope.
- Give credit to the maker so that there is a connection to the artisan’s story.
- Fundraisers . Look at “Wear The Change” example: https://thesocialoutfit.org/pages/wear-the-change .
Q. Is the answer B Corp for profit driven businesses ? Consider this quote; “ B Corp offers a tangible and transparent framework for keeping businesses accountable and setting industry benchmarks” p 150
Q. Do you think the cultural zeitgeist is shifting from maximizing profits to maximizing purpose? Is this driven by consumers or businesses?
Less
Imagine if “fashion is seen as a vehicle for political activism and personal storytelling. DIY culture makes it creative.” “When we do buy we choose well because we know it’s got to last”
Q. How much do we really need in our wardrobe?
Q. How does the idea of less make you feel?
Q. Degrowth? Is it possible to stop overproduction?
Quote: “ We must grow out of growth…The only solution is less stuff. There are no other options” – Kate Fletcher pg 156.
Q. The commons is defined as “a resource + a community + a set of social protocols’. Pg 157. An example of this model in practice is Fashion Act Now https://www.fashionactnow.org/ . Discuss how this is a “vibrant, creative social system” pg 158.
Q. Can you think of other communing in practices. The book gives these examples; “gift economy; open access journals for scholarship; CSA (community supported agriculture…..repair cafes and crowd funding” pg 159.
Q. One of the interviewed people in the book says that for fashion to become about “less” to “we will need to redefine status” – It will need to reflect social responsibility somehow. We need to not look at less as a sacrifice rather as more authentic connections. What do you think?
Q: How can small businesses survive if they can’t sell enough clothes to pay for rent, staff etc p165?
Q: DIT (Do It Together) will that become a commodity rather than a new outfit. Let’s discuss a date and organize one of these to do together :D.
Valentine's Day can be a time of love and celebration for many, but for others, it can bring feelings of loneliness and inadequacy. Unfortunately, one of the girls in Seb's friend group experienced just that when she was humiliated by a boy she asked to be her Valentine. She was made to feel undesirable and unworthy, a heartbreaking experience for anyone, let alone a young teenager.
In the face of his friend's distress, Seb's response was nothing short of extraordinary. Instead of dismissing her feelings or staying silent, he spoke up with words of reassurance and support. "Absolutely nothing is wrong with you," he told her, offering a glimmer of hope in her moment of darkness.
But Seb didn't stop there. He recognized that Valentine's Day isn't just about romantic love—it's about celebrating all forms of love and spreading kindness to those around us. With this in mind, he suggested we visit a shop to purchase a piece of jewelry that supports the cause of ending human trafficking, a cause close to both our hearts ( I have been telling him about this lately).
As we browsed through the selection, Seb carefully chose a piece that symbolized hope and empowerment. With a determined look in his eyes, he wrote a heartfelt note to his friend, urging her to "hold onto hope and know your worth—I see it." It was a simple yet profound message, a reminder that she is valued and loved just as she is.
Witnessing Seb's compassion and empathy in action brought tears to my eyes. In a world that can sometimes feel cold and indifferent, his warmth and kindness is illuminating the darkness around him. He may only be a teenager, but his heart is already so full of love and understanding.
As a parent, I couldn't be prouder of the young man he is becoming. Seb's beautiful gesture serves as a powerful reminder that even the smallest acts of kindness can make a world of difference to those in need. May we all strive to follow his example and spread love and compassion wherever we go.
This Valentine's Day, let us remember that love knows no bounds, and kindness has the power to change lives. And to my son Seb, thank you for being the embodiment of love and compassion in this world. You are truly a treasure to behold.
So I am inspired to say to everyone reading this happy valentines day, have hope and know your worth.
Love,
Yvie
]]>"Imagine nothing useful goes to waste. Upcycling is a cornerstone of our circular economy. Children dream of careers were they get to use their hands fashioning new, better quality items out of old ones" p119
Ronald Van Der Kemp's Atelier is discussed in the book as the high fashion example - The following is an extract from his website that describes what he is about:
"Creating couture out of unwanted materials because we believe that what is deemed useless today can create beautiful tomorrows.
We capture those discarded fragments and turn them into an ever evolving wardrobe.
Fueling a mindful movement
for the sake of beauty
for the sake of our planet "
"We've added to the story, but the original remains in a way' pg120 To see examples of the designs Click on https://www.ronaldvanderkemp.com/wardrobes
Q : The main issue of this form of business model is the difficulty of selling unique pieces online? and the constant push for "new", and our trend culture diving products into obsolescence. Discuss
Q: The dead stock issue 122 & 123. I highly recommend this blog by Good On You it explains how dead stock is used and examples of amazing brands doing it - https://goodonyou.eco/brands-using-leftover-fabric/. Lets discuss this issue and solutions available.
Textile waste is capturing the attention of consumers, businesses and legislators. For example: -
Q: Big brands go to extreme lengths to stop their products hitting the grey market. Discuss. Why? The IP issue (knock offs and counterfeit ) p126.
Recommended reading : "Explainer: Why fast fashion brands destroy unsold" clothes
What are ways this can be changed. An example in the book was
Alexander MacQueen donating dead stock fabrics to fashion students.
and TRAID who "stop clothes from being thrown away. We turn clothes waste into funds and resources to reduce the environmental and social impacts of our clothes. It is a circular and sustainable approach to the problems of clothes waste tackling disposal, production and consumption".
Q: WE MUST ADDRESS THE WASTE - "Australia's salvation army(salvos) stores have a 3 million dollar tip fee "for their upcycled charities. How can we look at the waste stream so it is seen as a reuse stream?
We cant go on the way we are going, all we need to do is think about the second hand clothing piling up in Ghana and Chile.
Kirkum challenges us to stop going to charity shops to find perfectly good pieces that can be used. We need to use the throwaway items for upcycling. "Cleaning, cutting it up and making it into something new". This is one of her creations:
Q: Should we all be joining trash clubs? And creating a demand for trash that becomes sorted into treasure?
Q: My favorite quote was the definition of Palimpsest - "An ancient word for an old parchment that's been reused but still bares traces of the original writings.". Its the way we describe and word things that give value don't you think? Rather than trash - its a reusable resource? Discuss.
No meet up this Sunday instead we are taking a field trip on the 16th to visit some awesome local Upcycle businesses in Newcastle.
We are also going to have a few upcycling mending workshops next month on Fridays. Please let us know if you are interested.It will start with an OP shop tour and then a upcycle mending course at the shop from 3-5pm $20 each for 2hrs.
I also want to shout out to:
Purple Card Project and ReNewy . Two local businesses taking on this challenge of waste are reuse of it in our local community. LOVE what you do!
Love,
Yvie xo
Ps. Sorry this is late :/.
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This weeks meet up is at Blend Cafe at the 16 Foot Sailing Club in Belmont NSW Sunday 2:30pm. These are the questions we will be discussing this week:
What this could look like.....
- Better inventory management.
- Better predictions due to "big data to manage inventory"
- Direct to consumer model.
- 3D printing
- Made to order, even at the touch of a button from home.
Questions this chapter encourages us to think about:
Hope to see you on Sunday,
Love,
Yvie xo
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Firstly,
What does Fair mean to you?
Also please note that this weeks meet- up will be 2:30pm Sunday 28th Jan at the 16 Foot Sailing Club in the "Blend" cafe area. No bookings required - Just come if you want to chat about the following questions.
If you want to dig deeper check out the podcast Clare mentions, “Remember Who Made Them”. It is a six part podcast series, digital campaign and fundraiser that aims to help energize a new solidarity economy in fashion.
Here are some of my ideas:
Here are some of our ideas:
Dig deeper check out the brand: Outland web page
This is what we think:
I think that nobody wants to feel dependent on a charity. From my experience most people who are marginalized, exploited and struggling want dignity, sustainable employment, autonomy and be in a position to help others. Our instore brand Global Mamas is a great example of an outstanding label, balancing Not For Profit and micro businesses. - Yvie's thought on this question.
“B Corp, or Benefit Corporation, is a type of for-profit business that is also committed to meeting specific social and environmental goals. B Corps are legally required to consider the impact of their decisions not only on shareholders but also on workers, customers, the community, and the environment. This type of business structure is designed to balance profit and purpose.
To become a certified B Corp, a company must undergo a rigorous assessment by the nonprofit organization B Lab. This assessment evaluates the company's performance in areas such as environmental responsibility, employee treatment, community engagement, and transparency. Only businesses that meet the required standards are certified as B Corps.” – quote from B Lab website
As for what is "better," it depends on the specific goals and values of a business. If a company is looking to address a broader range of social and environmental issues beyond fair trade, pursuing B Corp certification might be suitable. On the other hand, if the primary focus is on fair trade practices, WFTO certification may be more appropriate. Ultimately, both certifications reflect a commitment to responsible business practices, and the choice may depend on the organization's mission and priorities.
B Corp certification is aimed at the level of an entire business' operations, Fairtrade certification is largely aimed at the individual product level (and subsequent supply chain)
Want to dig deeper and understand more of the ethical & sustainable certifications, it is explained quite well on a blog by the online shop called Shop Like You Give a Damn. Would love your thoughts on this :)
Love,
Yvie xo
Ps Hope to see some of you on this Sundays Book Club Meet up
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To anyone new - Welcome :)
This weeks questions:
1. Is it conceivable for the fashion industry to be guided by principles aligning the value of garments with both environmental and cultural significance? For instance, adopting a "polluter pays" approach could incentivize brands to explore more sustainable and low-waste manufacturing options.
2. Who do you think make up the fashion socially conscious consumers? (Young? Educated? Affluent?)6. Quote: "Perhaps we need to dig deeper? Spreadsheets and pretty words won't save us. We need to ask different questions." - Clare Press
We recommend reading the following blog to understand this concept better: Buddhist Economics: A Practical Approach To Master Our Global Crisis by Julia Culen
8. Bandana says that if more of us knew and understood the significance of certain textiles and crafts we would have a deeper relationship with what we wear. she tells us to look up the process of Patola (double Ikat). Lets do it ! Click here to see a YouTube of the the process. Does it help you see the value of it?
9. Can you see the cloud in a piece of paper? What do you see with what you are wearing? pg 599.
10. Mahatma Gandhi's relationship went from suits to Khadi. Do you think it was Ghandi's "search for satorial integrity"? Clare recommends us to watch the TED talk titled "What Ghandi can teach us about slow fashion' by Bandana.
Note: Sartorial Integrity” and refers to a state in which an individual’s moral well-being affects the way they dress and present themselves to others.
11. So, could the future of conscious fashion begin not with clothes at all, but with washing off the negativity and reconnecting with Nature? Could it be as simple - and profound - as that?
12. How can we become more connected to what we wear? How can we find a deeper meaning, to everything - including our clothes?
Next week: we will be discussing "Fair" p - 67-82
The next meeting will be Sunday 28th Jan at the 16 Footers @ The Cafe - 2:30pm. No booking required. Just come if you want to discuss "Conscious" and "Fair" Chapters.
Did you know According to the ILO, 49.6 million people are trapped in modern-day slavery. Brands like Eden and starfish Project do what they do with the key objective being to rescue, rehabilitate and restore women who have been victims of sex trafficking.
Both of these brands programs are based in South-East Asia which is host to more than half of the global total of human trafficking victims.
Starfish Project employ 180 survivors and have saved thousands! Their approach to combating sex trafficking focuses on the rehabilitation and empowerment of survivors. This organization recognizes that each rescued individual is like a starfish washed ashore, and by making a difference in one life, they contribute to a ripple effect of change.
Starfish Project operates on a social enterprise model, providing employment opportunities for survivors through their jewelry-making program. By teaching valuable skills and offering fair wages, the organization not only helps survivors rebuild their lives but also fosters a sense of purpose and self-sufficiency.
This is what they accomplished in 2022 (HUGE accomplishment given the impacts of Covid restrictions):
Source: Starfish Project Annual Report 2022.
Moreover, the Starfish Project invests in holistic aftercare services, including counseling, vocational training, and educational support. This comprehensive approach ensures that survivors are not only rescued from the clutches of trafficking but are also given the tools to thrive independently.
Eden, also focuses on prevention, intervention, and restoration. Their focus is addressing the root causes of trafficking, Eden aims to create a world where vulnerable individuals are not at risk of exploitation. The organization employs a multifaceted approach, combining education, community outreach, and advocacy to empower at-risk populations.
In 2014, Eden embarked on a mission in Myanmar, a nation grappling with the pervasive issue of human trafficking. The roots of this crisis lie deep within the realms of political instability, natural disasters, and internal ethnic conflicts, resulting in a bleak landscape of opportunities for the people of Myanmar.
At the heart of Myanmar's human trafficking crisis is the intersection of poverty and political unrest. Over the years, this predicament has only intensified, aggravated further by the economic collapse triggered by the pandemic and political upheaval. In the face of this escalating crisis, non-governmental organizations (NGOs) and not-for-profit entities like Eden have stepped in to bridge the gap and extend vital support to victims of human trafficking and sexual exploitation.
Source: Eden's Web site
Like Starfish Project, Eden's journey unfolds through a relationship-focused and trauma-informed approach to programming, reaching out to individuals at high risk of trafficking and those ensnared in the red-light districts of Yangon, and Northern and Eastern Shan state. This unique access enables Eden to identify and assist previously unknown victims of human trafficking while also gathering essential migration tracking data. The innovative design of their programs tackles the root causes of trafficking, significantly reducing re-trafficking rates and fostering sustainable reintegration after program completion.
Every piece of jewelry purchased from Eden and Starfish Project directly contributes to supporting the women involved and fuels a range of impactful programs such as;
Outreach: Extending a helping hand to those at high risk of trafficking.
Drop-in Centers: Providing safe spaces for victims to seek refuge and support.
Emergency Shelters: Offering immediate assistance and protection to those in need.
Trauma Counseling: Addressing the emotional scars inflicted by trafficking experiences.
Vocational Training: Empowering survivors with skills for a brighter future with sustainable employment.
Economic Empowerment: Creating avenues for financial independence and stability. Such as education programs.
Community Education: Raising awareness to prevent trafficking and exploitation.
During Sex Trafficking Awareness Month, it is crucial to acknowledge the commendable work of organizations like Eden and the Starfish Project. Their unwavering dedication to prevention, intervention, and rehabilitation illuminates the path toward a future free from the shackles of sex trafficking. By supporting and spreading awareness about these brands, we contribute to the collective effort to eradicate this heinous crime and create a world where every individual can live free from exploitation.
Together we can change the world! Thanks to brands like this and customers like you!
Love,
Yvie
PS If you want to see our range of these two brands click on these links:
Eden (Please note new drop will be put online end of day 16/01/2024). Here is a sample of what will be going online :
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Questions for discussion:
What Now?
Today
Dismantled - "not dominated by big business, where our creativity comes back to us, where we reclaim our relationships with Earth, with our fellow beings, with community."
Tomorrow
Animism - (from Latin: anima meaning 'breath, spirit, life') is the belief that objects, places, and creatures all possess a distinct spiritual essence.
Does this Instagram account, curated by trendsetting leaders, suggest that we've lost a defining element that characterized fashion moments, akin to the distinctive styles of the 80s and 90s?
Paralysis theory describes an individual or group process where overanalyzing or overthinking a situation can cause forward motion or decision-making to become "paralyzed", meaning that no solution or course of action is decided upon within a natural time frame.
Next week:
Week 3: You Choose 1. Conscious (pg 47- 64)
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This week is all about giving you an introduction on what the book is about , the author and the topic matter & how to get the book.
Why are we having a book club?
We hope to forge a united, supportive, and captivating community for those who share a passion for knowledge and aspire to become more knowledgeable about ethical fashion.
Format:
Very, very informal and a slow read as its more about digging into each topic. Perfect for the " I am not really a reader" type of book club.
No sign ups, just occasional meet ups (see at end of this blog for our first one), and you only need to come when you want. No obligations.
Every Friday we will focus all our social media posts on the topic chapters we have read for discussion.
We do this because we want to be advocates for ethical fashion.
How fast you read the book is up to you. You can even just read the topics you want to be involved in. However, please note the topics for our meet ups will reflect the chapters we are reading that week.
This is our reading schedule for the entire book club:
January - Unveiling the Fashion Ecosystem
Week 1: Get the book!
Week 2: What Now?, Today & Tomorrow (pg 1- 43)
Week 3: You Choose 1. Conscious (pg 47- 64)
Week 4: You Choose . 2. Fair (pg 67-82)
At the start of the year, we'll introduce you to the visionary Clare Press and set the stage for understanding the current state of the fashion industry.
February - Its all about LOVE
Week 5: You Choose . 3. Slow & 4. Even Faster (pg 85-117)
Week 6: You Choose 5. 7 Upcycled (pg 119 - 151)
Week 7: You Choose . 6. Community &. 7. Less (pg 137 - 166)
Week 8: You Choose . 8. Local and 9. Global (pg169 - 196)
In the month of love, we'll fall head over heels for the innovators and creative thinkers who are redesigning fashion from the ground up. Join our discussions on the groundbreaking solutions presented in "Wear Next" and be inspired by the possibilities. Plus, we will have an expert session with a local sustainable fashion guru! This month we will have a upcycle class and a fashion swap.
March - Envisioning the Future of Fashion
Week 9: You Choose . 10 Traceable (pg 199 - 209)
Week 10: You Choose . 11 Repaired & 12 Shared (pg 211- 235)
Week 12: You Choose . 13 Regenerative & 14 Biointeligent (pg 237 - 264)
In the final stretch, We'll delve into the future of work in the fashion industry and explore the impact of sustainable practices on employment. You will have the opportunity to engage in a hands-on workshop, to experiment with sustainable fashion DIY, and witness firsthand the transformative power of conscious choices
April - How far is too far with technology in fashion?. And then reflection and Review
Week 13: You Choose .15 Robotic (pg 267 - 276)
Week 14: You Choose . 16 Digital (pg 279 - 294)
Week 15: FASHION REVOLUTION WEEK - Reflection and Review
Our journey culminates in how far technology has come. We will then have a reflection on the transformative insights gained from "Wear Next."
This is the book:
To get a copy simply search "wear next fashioning the future" in google and a list will come up of various book stores and suppliers. I got mine through QBD Books at Charlestown - They ordered my copy for me, their phone number is (02) 4910 0419.
About the author:
Clare Press is a Sydney-based sustainability communicator, filmmaker, author and presenter.
Clare was the first ever VOGUE Sustainability Editor (Vogue Australia, 2018-2020) - a pioneering role in international media.
She was also the first Global Ambassador for the Ellen MacArthur Foundation’s Make Fashion Circular initiative, and has been a member of Australian advisory board of Fashion Revolution since 2014. She sits on Copenhagen Fashion Week’s Sustainability Advisory Board, and is part of Fashion Roundtable in the UK. In 2019, she won the a Sustainability Champion Award from the New South Wales government.
What’s the book all about?
Wear Next imagines 16 scenarios for our fashion future, from slowed down, upcycled & community-based to fast-paced and AI-enabled, from local to global, regenerative & biointelligent.
Kinda like a “choose your own adventure” - Clare Press
It’s a provocation & an invitation: what kind of fashion future do YOU want to be part of?
What others are saying...
“Clare Press invites us to collectively envision a future of fashion that is just and joyful! Spectacular in scope and vision, this book is the roadmap for the fashion evolution we have all been waiting for, one rooted in respect, reciprocity & resourcefulness.’” — Nathalie Kelley, actor & activist
“Most of us know how environmentally destructive and socially damaging fast fashion can be, but it doesn’t have to be this way. Clare Press speaks to innovators ... [whose] shared objective is to design a greener, regenerative and safe fashion industry.” — Artshub
“Clare Press has had enough of the doom & gloom surrounding sustainability. Her latest tome is an optimistic look at fashion’s roadmap for the future.” — Harper's Bazaar
What to do this week:
1. To get an idea of the book and what we will be digging into. Please listen to an interview that with Clare Press with Alexx Stuart Lox Tox Life (Click on link):
Show #362 Clare Press Asks “Wear Next” As We Talk Fashion Into The Future
2. Every Friday (starting on the 5th Jan) we will post on Face Book and Instagram - We encourage you to participate, and would love you to share stories and share your perspective. This Friday we are going to ask you to share your fashion journey with fellow members and explore what you know of the wasteful aspects of the industry.
3. Put in your diary and let us know if you are coming to our first meet up : Martha Cocktails and Con - 14th Jan - 2:30pm (Very limited numbers please contact us that you are 100% sure you are coming) To RSVP - Text Yvie on 0422238611 with your name and specify you are coming to the book club meet upon the 14th Jan.
Love,
Yvie
At the intersection of style and sustainability, Vogue's first sustainability editor, Clare Press, takes us on a transformative journey through the tangled threads of the fashion industry in her book, "Wear Next." Are you ready to unravel the mysteries of our clothing choices and discover a more sustainable path? While meeting like minded friends along the way.
👗 What to Expect:
It will be a very, very informal and a slow read as its more about digging into each topic. Perfect for the " I am not really a reader" type of book club.
No sign ups, just occasional meet ups (see at end of this blog for our first one), and you only need to come when you want. No obligations.
How fast you read the book is up to you, however and the topics for our meet ups will reflect the chapters in the time frame as we are exploring it. This is our reading schedule for this month:
January - Introduction and Unveiling the Fashion Ecosystem
Week 1: Get the book!
Week 2: What Now?, Today & Tomorrow (pg 1- 43)
Week 3: You Choose 1. Conscious (pg 47- 64)
Week 4: You Choose . 2. Fair (pg 67-82)
At the start of the year, we'll introduce you to the visionary Clare Press and set the stage for understanding the current state of the fashion industry.
Share your fashion journey with fellow members and explore the wasteful aspects of the industry.
February - Its all about LOVE
Week 5: You Choose . 3. Slow & 4. Even Faster (pg 85-117)
Week 6: You Choose 5. 7 Upcycled (pg 119 - 151)
Week 7: You Choose . 6. Community &. 7. Less (pg 137 - 166)
Week 8: You Choose . 8. Local and 9. Global (pg169 - 196)
In the month of love, we'll fall head over heels for the innovators and creative thinkers who are redesigning fashion from the ground up. Join our discussions on the groundbreaking solutions presented in "Wear Next" and be inspired by the possibilities. Plus, we will have an expert session with a local sustainable fashion guru! This month we will have a upcycle class and a fashion swap.
March - Envisioning the Future of Fashion
Week 9: You Choose . 10 Traceable (pg 199 - 209)
Week 10: You Choose . 11 Repaired & 12 Shared (pg 211- 235)
Week 12: You Choose . 13 Regenerative & 14 Biointeligent (pg 237 - 264)
In the final stretch, We'll delve into the future of work in the fashion industry and explore the impact of sustainable practices on employment. You will have the opportunity to engage in a hands-on workshop, to experiment with sustainable fashion DIY, and witness firsthand the transformative power of conscious choices
April - How far is too far with technology in fashion?. And then reflection and Review
Week 13: You Choose .15 Robotic (pg 267 - 276)
Week 14: You Choose . 16 Digital (pg 279 - 294)
Week 15: FASHION REVOLUTION WEEK - Reflection and Review
Our journey culminates in how far technology has come. We will then have a reflection on the transformative insights gained from "Wear Next."
****It's not just a book club; it's a community fostering sustainable fashion enthusiasts.*** - Yvie
Why Join the "Wear Next" Book Club?
🌱 Deep Dive into Sustainable Fashion: Discover the world of sustainable fashion through a lens that goes beyond trends. Gain insights into the innovators shaping a brighter future for the industry.
🤝 Community Engagement: Connect with like-minded individuals passionate about sustainable living. Share your fashion journey, learn from others, and be part of a community driving change.
🎓 Interactive Workshops and Guest Speakers: Immerse yourself in engaging discussions, workshops, and sessions with experts in sustainable fashion. It's not just about reading; it's about living and breathing a sustainable lifestyle.
💡 Inspiration for Action: Equip yourself with practical knowledge and creative ideas to integrate sustainable choices into your daily life. From DIY sessions to envisioning a sustainable fashion future, we're not just readers; we're doers.
How to Join:
Are you ready to transform your wardrobe and mindset? Join the "Wear Next" Book Club, where fashion meets sustainability, and together, we'll weave a tale of positive change. 🌿✨
Let's make fashion a force for good!
💚
Yvie xo
#WearNextBookClub #SustainableFashionRevolution #FashionRevolution
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Social Responsibility: Fair Trade fashion aims to promote ethical practices, ensuring that workers involved in the production process receive fair wages, safe working conditions, and other essential rights. By integrating upcycling into Fair Trade, we can extend these benefits to artisans and workers involved in the upcycling process. This helps create a more equitable and socially responsible fashion ecosystem, again Global Mamas is exceptional example of this.
Global Mamas has made an active decision to incorporate eco-friendly practices while positively impacting the lives of hundreds of African women. Beyond the sound fair trade principle practices, like fair wages and no child labor, that are required of them as guaranteed members of The World Fair Trade Organization (WFTO), each year they continue to proactively look for ways to make earth-friendly improvements to our production methods.
To date, 60 % of the Global Mamas product line is made of upcycled or recycled materials. From recycling glass bottles for their bead jewelry to crafting accessories made from excess fabric like their jewelry cases, their products are made with the environment and zero waste in mind.
Unique and Creative Designs: Upcycling encourages innovation and creativity. By combining upcycling with Fair Trade fashion, designers have the opportunity to create unique, one-of-a-kind pieces that reflect their artistic vision while respecting ethical standards. This fusion allows for the development of fashion items with distinctive aesthetics, giving consumers a wider range of sustainable and ethical choices. In the photo under, the smock and caftan are made from upcycled saris, the necklace is made from acai seeds.
Consumer Awareness and Education: Blending upcycling with Fair Trade fashion raises awareness among consumers about the environmental and social impacts of the fashion industry. It helps educate individuals about the importance of responsible consumption and highlights alternative options that are sustainable, ethical, and aesthetically appealing. This increased awareness can drive positive change by encouraging consumers to make more conscious fashion choices.
Circular Economy: Upcycling is an integral part of the circular economy, which aims to eliminate waste and promote the continuous use of resources. By incorporating upcycling into Fair Trade fashion, we create a system that supports the longevity of products and reduces the need for new production. This shift towards a circular economy helps reduce the environmental burden caused by the fashion industry and contributes to a more sustainable future.
Image credit: www.freepik.com
Overall, blending upcycling and Fair Trade fashion allows us to address both environmental and social concerns within the fashion industry. It promotes sustainable practices, empowers workers, encourages creativity, and educates consumers, ultimately fostering a more responsible and conscious approach to fashion.
Global Mamas is a prime example of a Fair Trade organization that embodies the principles of creating opportunities for disadvantaged producers. Founded in 2003, Global Mamas is a social enterprise that operates in Ghana, West Africa, with a mission to empower women and artisans through sustainable livelihoods. It is arguably one of the most important brands in our shop! Here is an explanation of how they implement principle 1 "Creating Opportunities for Disadvantaged Producers:
1. Inclusive Access to Markets: Global Mamas empowers women artisans by providing them with access to global markets. The organization connects these talented artisans with consumers worldwide through various channels, including online platforms and retail partnerships. By eliminating middlemen, Global Mamas ensures that the artisans receive fair prices for their handcrafted products.
2. Capacity Building: Recognizing the importance of skills development, Global Mamas invests in capacity-building programs for its artisans. Training sessions focus on product design, quality control, financial literacy, and management skills. This equips the artisans with the knowledge needed to run successful businesses and compete effectively in the international market.
3. Fair Financing: Global Mamas offers pre-financing to its artisan partners, providing them with the necessary resources to purchase materials and cover production costs. This financial support is crucial, especially for artisans who lack access to traditional banking services or collateral.
4. Long-Term Relationships: Global Mamas fosters long-term relationships with its artisans, ensuring stability and predictability in their work. By providing a consistent market for their products, the artisans can plan for the future, invest in their businesses, and create sustainable livelihoods.
5. Empowering Marginalized Communities: Global Mamas places a strong emphasis on gender equality and women's empowerment. The majority of their artisan partners are women who come from disadvantaged backgrounds. By supporting these women artisans, Global Mamas helps break down gender barriers and uplifts entire communities.
6. Sustainable Livelihoods: Through fair prices and consistent orders, Global Mamas enables its artisans to build sustainable livelihoods. Many of these women are now able to support their families, provide education for their children, and improve their living conditions.
7. Environmental Stewardship: Global Mamas is committed to promoting eco-friendly practices. The organization encourages the use of natural and locally sourced materials, reducing the environmental impact of production processes.
I love hearing the Personal stories of the producers. This story is an extract from an Interview by batik designer Nick Ruffalo. Cape Coast Ghana, July 2021.
"My name is Grace Adoboe, and I am a seamstress with Global Mamas in Cape Coast, Ghana................. I first heard about Global Mamas through a friend when I moved to Cape Coast. She was also a seamstress and sewing regular orders for them. I went to the Global Mamas office to apply, and they gave me a test pattern to take home. When I brought it back they said that they liked my work…this was about 19 years ago. I have always sewn neat, and they saw that, but Global Mamas has helped me refine my skill even more. They don’t accept anything but the highest quality. This has helped me secure orders from other partners. I even have a contract with a school that I sew uniforms for because they value the quality that I deliver.
I am enjoying my work, and I like working with Global Mamas. They keep me very busy, but sometimes we disagree on things. However, I know that I’m able to speak my mind and they will listen. No matter the disagreement, we will work together to find a way forward that benefits both of us. We are business partners who respect each other and you have to be honest and transparent with your partner.
Now I am a big tree in my family. I support a lot of them: my brothers, sisters, their children, and my children. I don’t spend my money alone. If I can help, I will. I have three children, two girls, and one boy. The firstborn is now a teacher, but during the beginning years of Global Mamas, she was their production manager. My second born is finishing up her master’s, and the last born, my son, is still in college studying IT. My children are proud of me and know that I can do all things by God’s grace. In some years’ time, I hope to have finished my house, and I would want to train someone who can lead the work with the business I’ve built."
Global Mamas exemplifies the first principle of Fair Trade by providing opportunities for disadvantaged producers. Through inclusive access to markets, capacity-building initiatives, fair financing, and long-term relationships, Global Mamas empowers these artisans to create sustainable livelihoods that can allow the luxury to dream big for themselves and their families. As consumers, supporting organizations like Global Mamas and choosing Fair Trade products can make a significant difference in the lives of disadvantaged producers worldwide. By standing together, we can foster a more equitable and sustainable global trade system for a better future for all.
Click on here to view our collection of Global Mamas .
Image Credit: All images are from the Global Mamas Website.
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Fair Trade means that the production of the item MUST adhere to the ten principles of Fair Trade which are;
1. Creating Opportunities for Economically Disadvantaged Producers: Fair Trade strives to empower marginalized producers by providing them with sustainable livelihoods and access to global markets.
2. Transparency and Accountability: Fair Trade organizations maintain openness about their business practices, ensuring fair and honest dealings with producers and consumers alike.
3. Fair Trading Practices: Fair Trade adheres to fair and equitable trading partnerships, avoiding exploitative practices and unfair price manipulation.
4. Payment of a Fair Price: Producers receive a fair and stable price for their products, ensuring they can meet their basic needs and reinvest in their businesses.
5. Ensuring No Child or Forced Labor: Fair Trade prohibits the use of child or forced labor, safeguarding the rights and well-being of vulnerable individuals.
6. Commitment to Non-Discrimination, Gender Equity, and Women's Economic Empowerment: Fair Trade promotes equal opportunities and gender equity, empowering women to take on leadership roles in their communities.
7. Ensuring Good Working Conditions: Fair Trade organizations guarantee safe and healthy working conditions, respecting the dignity and rights of all workers.
8. Providing Capacity Building: Fair Trade initiatives support skill development and capacity building for producers, enabling them to improve their products and businesses.
9. Promote Fair Trade: It is the responsibility of a Fair Trader to educate others about what makes this business model so important.
10. Promoting Environmental Sustainability: Fair Trade encourages eco-friendly production practices that minimize the negative impact on the environment.
In our shop we have the motto, buy less, but when you you do make it count towards making the world a better place as we value and celebrate cultural diversity.
We pride ourselves in showcasing products that help customers choose Fair Trade such as;
We could not do this without your support, so this month is also about saying "Thank you!" to everyone who helps us do this.
Love,
Yvie xoxoxo
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Cruelty-Free: Cork bags are made from the bark of cork oak trees, which can be harvested without harming or cutting down the trees. The process involves stripping the bark, allowing the trees to regenerate and continue their growth. This makes cork a sustainable and cruelty-free material, aligning with the principles of veganism.
Environmentally Friendly: The production of cork is a sustainable and renewable process. Cork oak trees absorb large amounts of carbon dioxide from the atmosphere, contributing to the reduction of greenhouse gases. The bark harvesting process promotes the health and longevity of the trees, preserving the ecosystem and biodiversity of cork forests.
Durability and Longevity: Cork is a highly durable material that can withstand wear and tear. It is resistant to moisture, scratches, and stains, making it suitable for everyday use. Cork bags can last for a long time with proper care, reducing the need for frequent replacements and minimizing waste.
Lightweight and Comfortable: Cork bags are often lightweight, making them convenient for everyday use. They are comfortable to carry, even when fully loaded, which is beneficial for individuals who prefer lightweight accessories.
Versatility and Aesthetics: Cork bags come in various styles, designs, and colors, offering a wide range of options to suit different tastes and preferences. Cork's natural texture and appearance provide a unique and elegant aesthetic, giving these bags a distinctive look.
Hypoallergenic and Easy to Clean: Cork has natural properties that make it resistant to mold, mildew, and allergens. It is also easy to clean with mild soap and water, making it a practical choice for those with allergies or sensitivities.
In-store and online we have lots of cork bag options.
Sinerji is more than just a fashion brand—it's a symbol of sustainable and ethical practices. Their commitment to using organic natural fibers, non-toxic dyes, and fair-trade partnerships sets them apart in the fashion industry. By prioritizing these values, Sinerji ensures that every garment produced is not only fashionable but also environmentally friendly.
What makes Sinerji truly remarkable is their dedication to maintaining a personal connection with their production process. Lou travels each year to collaborate directly with the farmers who grow the organic cotton and the talented tailors who bring their designs to life. With two production teams located in Northern Thailand and India.
But that's not all—Sinerji's designs are created to celebrate and flatter all body shapes. They believe in the integrity of the entire process, from pattern to garment, ensuring that their creations are a perfect fit for everyone. With a passion for creativity and storytelling, Sinerji has established a unique and instantly recognizable style that captivates eco fashion enthusiasts.
Join us for this incredible opportunity to hear from Sinerji's owner and designer, who will share the brand's inspiring journey, their commitment to sustainability, and the stories behind their remarkable creations. Don't miss out on this chance to discover the magic of Sinerji firsthand!
Date: Saturday 22nd July
Time: 11am - 12 pm
Location: Shop 2 - 544 Pacific Hwy, Belmont NSW 220
Save the date and prepare to be amazed by the beauty and sustainability of Sinerji! We can't wait to see you there! 🌱✨
Please RSVP via FB or text Yvie on 0422238611
]]>Kahlo's art, deeply rooted in her Mexican heritage, exemplifies her unwavering commitment to self-expression and authenticity. In the same vein, ethical fashion embraces individuality, recognizing that every person has the right to choose garments that align with their values. Just as Kahlo fearlessly painted her own truth, ethical fashion empowers individuals to make conscious choices and express their unique style while honoring human rights, environmental sustainability, and animal welfare.
Kahlo's exploration of identity resonates strongly with the ideals of ethical fashion. She fearlessly challenged societal norms and defied expectations, using her artwork to navigate the complexities of postcolonialism, gender, class, and race. In a similar vein, ethical fashion challenges the conventional norms of the fashion industry, aiming to dismantle exploitative systems and foster inclusivity. It celebrates diversity, acknowledging that fashion should be a platform for self-discovery and a means to embrace and express one's true self.
The blend of realism and fantasy in Kahlo's paintings mirrors the transformative power of ethical fashion. Just as she weaved elements of dreams and imagination into her artwork, ethical fashion invites us to dream of a better world—a world where garments are created with respect for both people and the planet. It is a world where artisans are celebrated, craftsmanship is valued, and environmental impact is minimized. Through ethical fashion, we have the opportunity to turn our dreams into reality, creating a future where beauty is not compromised by harm.
Kahlo's experience of chronic pain further emphasizes the importance of ethical fashion's commitment to well-being. She painted her pain, laying bare her vulnerabilities and resilience. Ethical fashion recognizes the value of human lives, ensuring fair wages, safe working conditions, and dignified treatment for all workers in the fashion supply chain. By choosing ethically produced garments, we contribute to a world where the physical and emotional well-being of those who bring our clothing to life is a top priority.
In embracing the spirit of Freda Kahlo within the realm of ethical fashion, we embrace her fearlessness, her passion, and her unwavering commitment to living authentically. Like Kahlo, ethical fashion empowers us to be conscious consumers, mindful of the impact our choices have on people, animals, and the planet. It invites us to express our true selves through our clothing, while striving for a world where beauty and ethics intertwine harmoniously.
Let us honor Freda Kahlo's legacy by embracing ethical fashion as a canvas for positive change—a brushstroke towards a more compassionate, sustainable, and inclusive world.
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1. Acknowledgment and Recognition: NAIDOC Week provides an opportunity to recognize and acknowledge the contributions of Indigenous Australians to the country's cultural, social, and economic fabric. It promotes understanding, respect, and appreciation for their rich heritage and ongoing presence. This year the theme is For Our Elders. This quote beautifully explains the importance of this theme:
"We draw strength from their knowledge and experience, in everything from land management, cultural knowledge to justice and human rights. Across multiple sectors like health, education, the arts, politics and everything in between, they have set the many courses we follow.
The struggles of our Elders help to move us forward today. The equality we continue to fight for is found in their fight. Their tenacity and strength has carried the survival of our people.
It is their influence and through their learnings that we must ensure that when it comes to future decision making for our people, there is nothing about us - without us.
We pay our respects to the Elders we’ve lost and to those who continue fighting for us across all our Nations and we pay homage to them. " ( Quote and main image source: https://www.naidoc.org.au/awards/current-theme)
2. Cultural Preservation: Celebrating NAIDOC Week helps preserve and promote Indigenous cultures. It allows Indigenous communities to share their stories, traditions, language, and art with the broader Australian society. This fosters cultural continuity and ensures the preservation of Indigenous knowledge for future generations. Why not go to the Newcastle Museum’s FIRST exhibition. It features different works by local First Nations Creatives it is running until Sunday 6 August 2023, 10am – 5pm (Tues – Sun) - Its Free !!!
3. Reconciliation and Healing: NAIDOC Week plays a crucial role in the process of reconciliation between Indigenous and non-Indigenous Australians. By actively engaging in the celebrations, non-Indigenous Australians can learn about the injustices and challenges faced by Indigenous peoples, promoting empathy, understanding, and healing.
4. Education and Awareness: NAIDOC Week provides a platform for education and raising awareness about the history, culture, and experiences of Aboriginal and Torres Strait Islander peoples. It encourages individuals, schools, organizations, and communities to learn more about the true history of Australia, including the impacts of colonization and the ongoing struggles faced by Indigenous communities. We highly recommend the NITV films, documentaries and series all for free at SBS On Demand.
5. Promoting Equality and Empowerment: By celebrating NAIDOC Week, society can actively support the principles of equality, justice, and self-determination for Aboriginal and Torres Strait Islander peoples. It helps amplify Indigenous voices, advocate for their rights, and work towards empowering Indigenous communities. Why not read up on the Voice
6. National Unity and Pride: NAIDOC Week brings Australians together in unity and pride, celebrating the diverse cultures that make up the nation. It provides an opportunity for Indigenous and non-Indigenous Australians to connect, engage in dialogue, and build stronger relationships based on mutual respect and understanding. We have made our front displays feature these beautiful pieces such as this beautiful hand embordered bag that features the art work of Josette Papajua.
Overall, celebrating NAIDOC Week in 2023 and beyond is important to promote inclusivity, reconciliation, and respect for the First Nations peoples of Australia. It is an occasion to reflect on the past, acknowledge the present, and envision a more equitable and inclusive future for all Australians.
Love,
Yvie and Sami xo
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Image: Via Global Mamas Instagram
2. Gender Equality and Women's Empowerment: Global Mamas places a strong emphasis on empowering women. By supporting this Fair Trade brand, we contribute to the advancement of gender equality. Global Mamas provides training, skill development, and leadership opportunities to all their artisans, fostering their economic independence and promoting their voices within their communities. Through Fair Trade, we help create a more inclusive and equitable world.
Image: Via Global Mamas Instagram
3. Cultural Preservation and Artisanal Traditions: Global Mamas celebrates the rich cultural heritage of Ghana and Africa. By supporting their products, we contribute to the preservation of traditional craftsmanship and artisanal skills. Global Mamas works directly with artisans, providing them with a platform to showcase their talents and sustain their age-old techniques. Our support helps maintain cultural diversity and ensures that these valuable traditions are passed down to future generations.
Image: Via Global Mamas Instagram
4. Sustainable and Environmentally Friendly Practices: Global Mamas prioritizes sustainability by utilizing environmentally friendly materials and promoting eco-conscious production methods. From organic cotton to recycled fabrics, and accessories made from old glass bottles. They prioritize reducing the environmental impact of their products. By supporting brands like Global Mamas, we align our values with a commitment to a greener planet. More importantly, the makers of these items become eco warriors within their community.
Image: Via Global Mamas Web Page
5. Building Stronger Global Connections: Supporting Fair Trade brands like Global Mamas fosters a sense of global interconnectedness. It allows us to connect with artisans and communities in distant parts of the world, understanding their stories and appreciating their craftsmanship. Through these connections, we become part of a global movement striving for justice, equality, and sustainable development.
By choosing to support Fair Trade brands like Global Mamas, we make a tangible difference in the lives of artisans and their communities. Each purchase becomes an investment in creating a fairer, more equitable world. Together, we can break down barriers, uplift marginalized voices, and contribute to sustainable global development.
So, let's celebrate the work of brands like Global Mamas and embrace the power we hold as conscious consumers. Together, we can support fair wages, empower artisans, and create lasting change—one ethical purchase at a time.
Love,
Yvie xo
]]>Main photo credit: https://www.kenanaknitters.com/
Sustainability is a term often used loosely by organizations, but for us, it holds deep meaning and purpose. As advocates of Fair Trade, we believe in staying committed to the groups we choose to support. In our business, we have sold the same toys for over a decade, and this decision is rooted in our unwavering dedication to sustainability.
While some businesses constantly chase after the latest trends and profit opportunities, we have consciously made the choice to stand by the Fair Trade groups we work with. We understand that true sustainability goes beyond fleeting fads and quick gains. It is about building lasting partnerships and creating a positive impact on the lives of artisans and communities. Such as the remarkable grassroots organization known as Kenana Knitters. A group established in the heart of Kenya's Rift Valley. Founded in 1998 by the visionary Patricia Nightingale, a local Kenyan with a passion for uplifting her community, Kenana Knitters has become a beacon of hope and empowerment for women in the region.
At its inception, Kenana Knitters aimed to address a pressing issue faced by local ladies—the lack of a market for their homespun wool. Patricia recognized the immense potential hidden within the vibrant threads and embarked on a mission to transform them into unique creations. Through the power of clever designs and skilled craftsmanship, she and the dedicated knitters turned simple yarn into exquisite pieces of art.
However, Patricia's vision extended far beyond creating beautiful products. She understood the importance of community impact and sought to empower women by teaching them the art of knitting using local, sustainable resources such as organic cotton. With this approach, Kenana Knitters not only nurtured creativity but also nurtured a sense of pride and dignity among the women.
Today, Kenana Knitters boasts an impressive roster of 580 registered knitters, with 430 actively involved in the organization. Supporting these talented artisans are over 200 spinners, who ensure a steady supply of homespun wool. The impact of their work reaches far and wide, as the organization exports its collection of unique products to countries across Africa, Europe, the UK, USA, Japan, and Australia.
But Kenana Knitters' commitment to its artisans extends beyond just providing a livelihood. The organization recognizes the importance of holistic well-being and takes concrete steps to support the women in various aspects of their lives. A monthly health clinic offers vital services, including free eye checks and glasses if needed, while respecting the privacy of each individual by refraining from inquiring about their HIV status. Additionally, Kenana Knitters provides a savings plan, ensuring that the women have a safety net for the future. Daily newspapers and access to free electricity for phone and torch charging further contribute to their overall well-being.
Stitch by stitch, the Kenana Knitters are changing lives and empowering women in their community. What started as a small initiative to create a market for homespun wool has blossomed into a remarkable movement that uplifts individuals, families, and the entire region. The organization's impact reaches beyond economic empowerment; it fosters a sense of belonging, self-reliance, and pride among the women involved.
Kenana Knitters stands as a testament to the power of grassroots initiatives and the incredible transformations they can achieve. By supporting local talent and utilizing sustainable resources, this organization not only creates beautiful products but also creates a brighter future for the women it serves. Through their dedication, creativity, and unwavering spirit, the Kenana Knitters have woven a tapestry of empowerment, hope, and resilience—a tapestry that continues to grow with every stitch.
By remaining steadfast in our commitment, we contribute to the survival and growth of these Fair Trade groups. We are not simply interested in maximizing profits; our goal is to support and uplift these artisans so that they can thrive in the long run. We understand that their success is intertwined with our own, and by choosing sustainability, we choose a future where everyone benefits.
The decision to stick with the same toys for over a decade is not a stagnant one. It is a conscious choice to foster stability, trust, and mutual growth. We have witnessed firsthand the incredible craftsmanship and dedication of the artisans we work with. Their skills have been honed over time, and their creations embody the beauty of tradition and the essence of sustainable practices.
Through our unwavering support, we become advocates for these groups. We showcase their products, share their stories, and educate our customers about the significance of Fair Trade. By doing so, we help create a market for their goods, ensuring a steady income and sustainable livelihoods for the artisans and their families.
Our commitment to sustainability goes beyond financial gains. It is about preserving cultural heritage, promoting ethical practices, and fostering long-term relationships built on trust and respect. We understand that by standing by the Fair Trade groups we choose, we become a force for positive change in a world that often prioritizes profit over people.
So, while other businesses may jump from trend to trend, we choose to remain rooted in our mission. We believe in the power of consistency, integrity, and sustainability. By working hand in hand with producers like Kenana Knitters, we contribute to a future where artisans can continue their craft, communities can flourish, and ethical practices become the norm.
Together, let us be champions of sustainability, forging a path that uplifts and empowers artisans around the world. Through our choices and actions, we can create a world where Fair Trade is not just a buzzword, but a living, breathing testament to a more equitable and sustainable future for all.
Together we can change the world!
Lots of Love,
Yvie xoxoxo
Ps Can't do this without you! So thankyou for sharing this vision and supporting what we do.
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We are feeling it here, especially after the last interest rate rise and energy price increase. We feel it is time to recognize that its not business as usual and we need to setup the right strategies and approach's, to navigate through this difficult and strange economic time.
Its is possible! My business has done it before during The global financial crisis (GFC). From my experience and from lots of reading on the topic, here are some tips to help you survive a recession as a boutique or Fair Trade business:
Evaluate and adjust your business model: Assess your current business model and identify areas that may be vulnerable during a recession. Consider diversifying your product offerings, targeting new customer segments, or exploring alternative revenue streams. Adaptability is crucial during challenging times.
Build strong customer relationships: Focus on building and maintaining strong relationships with your existing customers. Offer exceptional customer service, personalized experiences, and loyalty programs to encourage repeat business. Communicate regularly with your customers, addressing their concerns and needs. Loyal customers are more likely to support your business during tough economic times.
Control costs and manage cash flow: Scrutinize your expenses and identify areas where you can reduce costs without compromising quality. Negotiate better terms with suppliers, streamline operations, and eliminate any unnecessary expenditures. Develop a cash flow management plan to ensure you have enough working capital to sustain your business during the recession.
Explore online and digital strategies: In times of recession, online and digital channels become even more important. Enhance your online presence by developing a user-friendly website, leveraging social media platforms, and optimizing your online marketing efforts. Consider expanding your e-commerce capabilities to reach a broader audience and mitigate the impact of reduced foot traffic.
Collaborate with other businesses: Seek opportunities for collaboration with complementary businesses. Joint marketing initiatives, cross-promotions, or shared resources can help reduce costs and expand your customer reach. By forming partnerships, you can leverage each other's strengths and support one another during the recession.
Focus on value and differentiation: Emphasize the unique value proposition and differentiating factors of your boutique. During a recession, consumers tend to be more cautious with their spending. Highlight the quality, craftsmanship, and exclusivity of your products to justify their value. Offer special promotions, discounts, or loyalty rewards to incentivize purchases.
Stay informed and adapt quickly: Keep a close eye on economic indicators and market trends. Stay informed about the evolving needs and preferences of your target audience. By staying proactive and adapting your strategies accordingly, you can position your boutique to meet changing market demands and remain competitive during a recession.
Take care of your employees: Your employees are vital to your boutique's success. During a recession, morale can be low, so it's important to support and motivate your team. Keep an open line of communication, provide training opportunities, and recognize their efforts. Engaged and motivated employees will be more committed to helping your boutique thrive during challenging times.
Remember, surviving a recession requires resilience, creativity, and strategic planning. By implementing these tips and continuously assessing and adjusting your approach, you can increase your chances of successfully weathering the storm.
Lots of love,
Yvie xo
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To book please text Yvie on 0422238611 and booking will be confirmed with a reply text.
Please note:
There is a strict rule that you can only attend one session per person. We want to share this skill with as many people as we can :).
There is an op shop a few doors down from us that you can go and collect something to make more special :).
26th Online Event via Facebook
Just drop on in virtually or come instore as we play dress ups and tell stories about the clothing we have instore. And please ask us - Who made our clothes ? And what's in our fabric? What social impact does the outfit make?
11am to 12pm
We are so excited to be invited by the Shared World Collective "Social Fabric - Afghan - Australian Stories in Thread" to discuss the importance of supporting fashion that empowers. Our special gest at this event is Anna from Uplift.
Free but booking is essential please go to Newcastle Library Events .
There will also be a Fashion Revolution Market at this event that anyone can attend (no booking required). Please come and ask us who made our clothes, accessories and fabric? :).
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There is so much exciting stuff going on for the socially conscious.
Here is what we have put into our diary and highly recommend:
An Afghan Women’s Textile and Advocacy Initiative, in partnership with Newcastle Libraries. Proudly supported by Afghan-Australian Community & Settlement Support and Newcastle Council.
Public Exhibition: March 24 through June 24, 2023, Lovett Gallery, City Library, Newcastle.
Launch celebration: March 24, Lovett Gallery, City Library, 6:00 pm.
Afghan Fashion Market: March 25, 9:30 am - 12:00 pm, City Library. We will be there showcasing embroidery work of local Afghan-Australian artisans from our 2023 "What is Value Collection".
Panel Talk: Afghan-Australian Designers on Fashion as Resistance: March 25, 1:30 - 3:00 pm, Lovett Gallery, City Library.
For more information about this event go to https://www.sharedworldcollective.com.au/.
A group exhibition showcasing fresh works from emerging artists practicing across disciplines.
Exhibition Dates: 3 – 19 March 2022
Opening night: 3rd March 6pm
Gallery opening hours:
Tuesday – Friday | 10am – 4pm
Saturday & Sunday | 12pm – 4pm
Location: 91 Chinchen St, Islington NSW 2296
For more information go to https://www.newcastleartspace.org.au/current-exhibition
We are going because one of our dear customers (and friend) Diana Boyd from @seeyasista is showcasing one of her works (not the one pictured here). She is the master of turning some ones trash into a treasure. A champion for the upcycling revolution.
These events are a wonderful way to help support our local artisans and build a better and more interconnected community.
Love,
Yvie xo
]]>These items are so much more than an item of clothing - Each item is about women empowerment!
Most of our products have the signature of the woman who made it. You can find her story here :).
My name is Elija. I grew up in an orphanage. When I was four years old, my mother left me in an orphanage. I didn’t continue my studies. I left that orphanage when I was 15 years old. I realized that leaving home was my biggest mistake. My husband helps me a lot but it is not enough for a family. I have only one son, and I want to give him a proper education that will help him to have a bright future. I am happy with Basha daycare. I can keep my son there before I start my work. I will work hard for him. I think Basha is the right place for women who want to work near their children.
I am Niru. I have two sons. I have started to support my family after getting this job at Basha. Now my husband and his family members are well behaved and some people in my community have started to respect me. I feel many things have changed in my life after joining Basha. I am happy and I am grateful to those who helped me to get this job. It’s a blessing from my almighty God. I wish to continue this job for as long as I can.
My name is Rahena. I have one son. I work at Basha and I love to make kantha throws. I want to make my son’s future better. All my family members are illiterate, but I want to give my son a proper education that will help to make his future bright. Without education my son’s future will be as dark as mine. I will work hard for his future. I love my son more than anything else.
My name is Chadni. I have one son. My husband is a van puller. I started working at Basha on September 26, 2022. I love to work here because of the safe working environment and because I can keep my son in daycare. I think daycare is the biggest support for all mothers who are working here. Our children receive food, education, care, and love. The children love to come to daycare. I love to make kantha throws and I hope to make a big size blanket like king size very soon.
My name is Vocti. I have been working at Basha since July 2022. My life has changed a lot. I didn’t know about education, but now I have learned many things such as life skills, cleanliness, and behavior. I like working at Basha. There are many activities besides work such as study and recreation. I have no children. I want to work in this office and build my own house in the future. I want to see myself as an independent woman. After working at Basha my family learned to value me a lot. I learned hand stitching from training. In the beginning, I found it difficult to learn stitching, but now I can make any product. I’m so glad that the products I make represent our country’s heritage to the world. My favorite product is the kantha throw. I help others with their work, and I am proud that I can earn something now.
I am Seli. I have two sons and one daughter. They are all going to school and my younger son comes to daycare. I started working at Basha on July 26, 2022. My favorite product is the small size kantha because that is easy to learn. It takes two days to finish. I like to work at Basha because this place is very safe for women. My dream is to be self-dependent and have my children educated and established. My family and community changed since I started working at Basha. They value me for working in an office. I have my own identity in the products I make and of that I am proud. Now I know that I can work in this office and earn.
My name is Joshna. I have been working at Basha since July 2022. I have two daughters. My husband is not taking good care of us as he is drug addicted. They are staying with my mother-in-law. My life has changed after joining Basha. Before, my situation was very difficult. I needed to earn more money to run the family. Before I used to get angry so easily, but now I am learning to be patient and give soft answers. I like to work at Basha because of the good environment and safety for women. First, I started making a product that seemed difficult. My favorite product is small size kantha. It takes two days to make. I want to see myself as a self- reliant woman. Now I can earn for my family from the products I make. I am proud that I can earn and help my family and I am grateful to Basha for giving me this opportunity.
My name is Sharna. I started working at Basha on July 26, 2022. I have one son and daughter. They are going to school and coming to daycare. My husband did not work regularly. He abused me and didn’t take care of family. Now my life has changed after joining Basha. I didn’t study and didn’t know about life skills, but now I know how to read and write letters and about health matters, cleanliness, and good behavior. I like to work at Basha because there are many activities besides work, for instance, studies, activities, and exercise. I think the products I make represent our country’s heritage and culture. My favorite product is the standard kantha throw. At first, I found it hard to learn. It takes 3 days to make one. Now I can make any product. I learned the work through Basha training. I have good sewing skills with which I can help others. After five years, I want to have a house of my own. My husband stopped abusing me after I began coming to work here. My husband and the community appreciate me a lot for working at Basha. I am proud to work in such a beautiful office where I can earn and feel safe.
My name is Hosna. I have two children. My husband does not work or support our family. He is a drug addict. Due to lack of money, I did housework as a maid servant. Often my husband fights with me and beats me. Many days my children and I did not get food to eat. Now I have the opportunity to work at Basha as a producer. I can keep my children at daycare in a safe environment. My eldest child did not read and write properly, but now daycare staff take care of my child. My daughter is learning so many good things from them. I am grateful to Almighty God and to Basha that they have given me the chance to develop my life. My hope is to make beautiful products and to earn money to make my children’s future bright.
My name is Razia. Due to the financial difficulties of my family, my parents arranged my marriage at the early age of fifteen. I have one little daughter. Four years ago, my husband was arrested by the police on false charges. For that reason I borrowed a lot of money. I lived with my mother-in-law. It is difficult to depend on other people. I am very happy that my daughter is staying in Basha’s daycare. She is playing with other children and learning so many things. I am happy that she receives nutritious food and good care from the staff. I am grateful to Basha for this opportunity. My hope is to make beautiful kantha and earn money to pay off all our loans and give my children a beautiful life.
I am Santa. My parents passed away when I was a child, so I lived with my grandmother. I have one son. My present husband is his stepfather. My husband does not give any support to us. My husband married another woman without my permission. Before joining the Basha Boutique, I worked as a servant in other homes and collected food. Sometimes my child and I would spend the day without food. My son left school because of our financial problems. I am happy that he receives good care and nutritious food from the daycare staff. Now I can support both of us. I am grateful to Basha for this opportunity. I wish to make beautiful kantha and earn much money to give my child a bright future.
I am Renu. My husband has been suffering from kidney complications for eight long years. He is not able to work or support our family. I have two daughters. They are living with their husbands. I had no work to earn money and it was not possible for me to support my husband’s treatment. In this situation, I took on a lot of debt to other people. I know that the Basha Boutique works to change the life of helpless women. I received the opportunity from Basha to have training. Now I can work at Basha Boutique as a producer. I am able to earn money with dignity and give much support to my husband for his treatment. As well, I can pay all my debts. I am grateful to Almighty God and the Basha Boutique.
If her name is not here please email us and we will email her story to you.
Show her how you love her product by sharing on facebook or instagram and tagging #mybasha She will be thrilled and proud to see your appreciation for her work!
]]>Every basket is hand crafted.
Our Bolga Baskets are personally purchased by Bashiri Director Simon in the satellite villages of Bolgatanga in northern Ghana. He has been working with the same weavers since 1997 and has established a successful ongoing partnership that employs over 30 locals and their families.
Let us introduce you to a few if the amazing artisans:
“I had two friends who knew how to weave. One thought me how to weave the round basket, and the other thought me the shopper basket.
I learned basket weaving because I needed a handicraft job to earn a living. I am a weaver and a farmer, I go back to farming in the wet season, after that I continue to weave till the wet season comes again the following year.
It was difficult for me to get money to take care of my children and their education, ever since I started weaving I no more find it difficult to provide for their educational materials.”
“I was taught how to weave hats by my father. He only knew how to weave hats.
I saw others weaving something different from the hats, so I followed them to learn how to weave round baskets and shopper baskets.
The shopper baskets are harder to weave because of their U shape and height, the round baskets are easier easiest due to their round nature.
Weaving has changed my life a lot and is now my source of income.“
“Basket weaving is not part of my family’s tradition. None of my parents knew how to weave. I was taught by my elder brother, who learnt basket weaving outside our community.
I learnt so fast and I can now weave the oval basket, baby basket, laundry with lid, hamper, and the dog basket.
Ever since I finished senior high school I have been weaving, since I have no job at hand to earn money. I am able to take care of myself with the money I earn through weaving, and also bought a motorbike.”
"It is non - sensical that we are willing to buy brand new clothing that has been purposefully torn for style. So most of the tears have been mended and patched. There message in this outfit that our clothing is worthy of care, that there is comfort in worn-in and faded jeans."
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This outfit showcases beautiful embroidery that otherwise would receive limited use. It is in step with our modern life style as instead of spreading the decorative cloth for having tea at home it allows for it to be worn out for tea at the cafe.
The eco fashion trend celebrates the handicrafts of nations around the world. Why don’t we celebrate that of our own?- Be it things crafted by our grandmothers or simply what our mothers chose to put on their table.
Design process:
This piece was designed by playing with the pieces to optimise the finished edges. The top “took off” in the design process when I discovered how to cut into one place mat and change the shape to fit the bust. After that it was a matter of methodically working my way around the rest of the body to complete the top.
The placemats (4), tea towels (2) and pants were found at the Jewells Anglican Church Op Shop. It was the embroidery that kicked off the idea for a summery piece of clothing that could be worn to high tea. Parts of an old stained Tshirt and elastic were scavenged from those piles around the house that are kept
for projects.
In the end there was hardly anything left over this project.
"I like the statement it makes in terms of the women’s movement: Emboldened we are now cutting up the tea cloths and wearing them, not decorating the home but ourselves." - Karin
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Congratulations Karin you are our 2022 winner!
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